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The Cello Suites: J. S. Bach, Pablo Casals, and the Search for A Baroque Masterpiece, by Eric Siblin
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From Publishers Weekly
The ironies of artistic genius and public taste are subtly explored in this winding, entertaining tale of a musical masterpiece. Music critic Siblin parallels short, fluent biographies of composer Johann Sebastian Bach, whose six suites for solo cello were long disparaged as minor student exercises, and cello virtuoso Pablo Casals, whose landmark recording of the pieces catapulted them into the classical canon. Their lives are a study in contrasts: Bach is an obscure workaday musician who feels wasted being merely the cantor of a Lutheran boarding school; Casals, a musical superstar and anti-Fascist exile, is a romantic hero. Siblin intertwines his own story of trying to engage with the suites. He takes cello lessons, savors a rich variety of performances, including one on the marimbas, and embarks on a search for Bach's long-lost manuscript to discover clues to the enigmatic score. (Scholars aren't even certain the suites were written for cello.) Siblin is an insightful writer with an ability to convey the sound and emotional impact of music in words. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
*Starred Review* A former pop-music critic, Siblin was transported to the eighteenth century when his imagination was captured by a performance of Bach’s Six Suites for Solo Cello. He embarked on a journey—part historical, part personal—to discover for himself the music that has remained a pillar of the cello repertoire since Pablo Casals recorded the suites in 1936. Siblin traveled to Leipzig looking for traces of the German composer, and to the Catalonian coast of Spain to trace the steps of the suites’ first modern master. Included in his thorough research are interviews with cellists such as Mischa Maisky and Anner Bylsma, who describe the complexities of the music and the challenges it presents to the soloist. In Siblin’s history of the composer, Bach is far from the stuffy image often applied to classical music; he appears restless, brash, and proud, occasionally landing in jail for upsetting a patron. Siblin’s writing is most inspired when describing the life of Casals, showing a genuine affection for the cellist, who, caught in the throes of the Spanish civil war and World War II, used his instrument and the suites as weapons of protest and pleas for peace. --Elliot Mandel
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Product details
Hardcover: 336 pages
Publisher: Atlantic Monthly Press (December 15, 2009)
Language: English
ISBN-10: 0802119298
ISBN-13: 978-0802119292
Product Dimensions:
6 x 1.2 x 8.8 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
103 customer reviews
Amazon Best Sellers Rank:
#161,521 in Books (See Top 100 in Books)
I'm learning to play the first of the Bach Six Cello Suites, itself a story, but not for here. Meanwhile I'm reading the book, The Cello Suites : J.S. Bach, Pablo Casals, and the search ...This book is an intertwined story of the author's search for the story of the Suites themselves, the search for the missing Bach manuscript, a biography of JS Bach, a biography of Casals, who rediscovered the Suites as a young man, then made them popular, and the times in which these men lived. It's a clever book and an excellent read. It is superbly researched. Do not fail to look at the appendices WHILE you read the book for sources of the stories. This is a really good book.
As a thirteen year old, Pablo Casals rummaged through a second store near Barcelona's famous las Ramblas looking for sheet music for his newly acquired cello and coming upon an old "tobacco-colored cover page" and a copy of Bach's Cello Suites, he bought it for a few pesetas, ultimately introducing its complex inescapable beauty to the world of music; thus begins Eric Siblin's enchanting personal odyssey into the multi layered composition. More than a portrait of Casals, far more than a clever foil for Siblin's aspiring musical efforts, the book is an intoxicating introduction to the inner complexities of the six solo cello pieces and, the cello as a music instrument, which will entice the interested reader, knowledgeable or not, to buy a recording from any number of artists - take your pick - if for no other reason that Siblin's book will cause you to have that urge. If, as the nineteenth music critic, Eduard Hanslick, described classical music as "forms animated by sound," then listening to these complicated recordings, one will begin the never-ending journey into the six pieces, into the genius of Johann Sebastian Bach, and into yourself as well.
This is a great book, especially when you listen, as I have, to the Cello Suites while reading the manuscript version. The author closely follows the format of the music, interlacing its history, stories of Bach and his descendants, Pablo Casals finding and repetitively playing the Cello Suites, and his own journey into the world of Bach.
For those interested in serious music, this is a wonderful parallel study of J. S. Bach and Pablo Casals, but it is not for everyone. I would suggest taking the time to simultaneously listen to each suite referenced while reading the book, in order to get more understanding and appreciation of this interesting work. Although erudite in content, the book is nonetheless quite readable and readily accessible to amateurs (such as myself) who love music in general and Bach in particular.
The author weaves what could be a confusing story artfully, interestingly and with even a bit of humor. He tells about the life of Bach, his family and his career as it moves around the nobility of Germany. And the interesting story of how the cello moved from a instrument to provide just background to a solo instrument. At the same time the author brings us to today as he attends concerts of some of Bach's masterpieces. And then along comes Casals- his life in Spain, his escape from the war and his life of beautiful music. And finally there is the lost masterpiece. I do not have a focus on reading general history or music history but I enjoyed the book and recommend it to any one wanting to learn more about Bach, Casals, and or the cello.
This well-researched story of how Bach wrote the suites, including theories about instrumentation. Pablo Casals found the Bach suites as a young cellist and brought the deeply moving music to the world. Few works can be so closely attached to a musician besides the composer. A very interesting book for a non- musician to read. I have been a fan of the suites for many years and this book enriches my listening. It contains the story of Pablo Casal's lifelong patriotism in the face of a Fascist regime-- he used concerts as political statements.
This book is basically two biographies and a memoir rolled into one. The author has organized the book around the movements of the six cello suites. The first three movements of each suite are about Bach. The next two are about Pablo Casals, and the sixth about the author's journey in pursuing the suites. Then he repeats that for the next suite.I am an amateur cellist, and I majored in music ed (major instrument flute), plus I am a big reader so keep that in mind as I sing the praises of this book that is not as dry as you'd expect and full of interesting stories and information. If you love Bach, you'll get a lot out of this book.
A wonderful mash up of Bach biography, musical exegesis and an individual exploration of PabloCasals. I thoroughly enjoyed every page and was sad when it came to its end. Got me to go back to my CD collection and listen to the Cello Suites again and again.
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